Sikh Heritage in Modern Indian History

Modern History – Heritage of Tomorrow

When we are dealing with Sikh heritage and culture, we cannot ignore Sikh history of the last 100 years or so which will be a heritage for coming generations. It may be made clear that heritage is what we inherit and culture is that we create. The history created by us during the last century and the last 18 years of this century will become heritage in near future. This history created by us consists of the Sikh movements, their achievements in India and the newly adopted countries as well as the changes in their lifestyle. It is worth remembering that Sikhs throughout the world have been making history, for example, the Ghadarite Sikhs in North America and the Indian National Army Sikhs in Singapore, Malaysia and Burma. Equally we have a history of settlement, building of Gurdwaras and setting up organisations. We have created new arts, new literature and new ways of living style. We have entered new fields and distinguished ourselves in respective fields. Our artist’s right from the period of Amrita Pritam till today had excelled in artistic creations and the art galleries commemorating those creations like Art Gallery of Amritsar, Art Gallery of Sobha Singh & Phoola Rani are all a part of our artistic pride. Some of the artists have now created their Art Galleries on the websites (e.g. Kanwar Singh’s). New building have been created in the form of memorials some of which have already been discussed. So far our living is concerned, our clothes (suits for the ladies), footwear (as Patiala Jutti), foods (as Makki di Roti, Rajmaa etc.) have all become a part of our heritage and the new things which we are introducing now will become our heritage of tomorrow. The Gurdwara’s buildings created all over the world will also be a part of Sikh history in the coming years. We will now discuss some of the prominent organizations, institutes, persons and events associated with Sikh heritage in different aspects as discussed above. These will include organizations functioning for the promotion of Punjabi language and literature as well as the art galleries of our artists and the music institution created in memory of Late S. Ishmeet Singh.

Jalianwala Bagh Amritsar

Jalianwala Bagh is, perhaps, the most important monument related with our freedom movement. When, on Vaisakhi Day, a huge gathering was celebrating the occasion in 1919 at this place, General Dyer had opened fire and killed hundreds of people present there. It was this shocking incident with which the Britisher wanted to curb our feeling for independence, but on the contrary, it stimulated the freedom movement more vigorously. This historical monument is managed by a board of Trustees appointed by the Central Government S. Trilochan Singh, Former Chairman of National Minority Commission, is one of the members of present Board, which has been entrusted with the work of celebrating the 100th Anniversary of this tragedy of 1919. Prime Minister Shri Narendra Modi has recently started a Museum to commemorate this occasion at Red Fort Delhi. This Museum known after the name of Neta Ji Subhash Chandra Bose is first of its kind being associated with 1857- India’s first war of Independence and the Drishyakala Museum on Indian Art within the Red Fort complex.
 

Heritage Walk – Heritage Street Amritsar

This 3-km heritage walk covers many of the important religious, historic, architectural and cuisine spots. Beginning from the British built Town Hall, one gets to visit many other attractions like Saragarhi Gurdwara, Quila Ahluwalia, Chowk Jalayan Wala, Akhara Sangalwala, Darshani Deori, Chaurasti Attari Chowk, Radha Krishan Mandir, Crawling Street, Puratan Rasta and Akhara Brahm Buta. Conducted early in the morning, the 2-hour Amritsar Heritage Walk commences daily from the Amritsar Town Hall at 8 am and culminates at the Golden Temple at 10 am. The Amritsar Heritage Walk is best suited for student groups due to the historical importance. This walk also covers the heritage street which glitters with lights in which we see Maharaja Ranjeet Singh’s statue at Chowks Phowara and other market place buildings. Gurdwara Saragarhi made in the memory of Saragarhi martyrs and Jalianwala Bagh fall in this street.

Ram Bagh Palace in Company Bagh Amritsar

Although, Amritsar has Sri Harmandir Sahib and other Sikh shrines, various other heritage sites included in this walk make it highly informative. Durgiana Temple, Wagah Border and Company Bagh Memorial are other important visiting places in Amritsar. The Company Bagh is the place where Maharaja Sahib had laid out a garden and named it as Ram Bagh after the name of fourth Guru. In the centre of the garden surrounded by a mote filled with water, a double storey palace was made with a Tehkhana (basement) as a cool underground chamber. Maharaja Sahib devoted his time in this palace in summer days when he visited Amritsar. Now this palace has been converted into a museum to commemorate the 400th year of the city of Amritsar. This museum is most important and cultural pride of the Punjab. It is famous for its rare and priceless collections, particularly paintings, weapons and armours, manuscripts and coins. A lot of visitors and tourists visit this museum to see the valuable antiquities and art objects, related to 18th and 19th centuries.

Art Gallery at Amritsar

SG Thakur Singh was a reputed artist, who won fame as a painter in oils, pastels and water colours. He was also a theatre artist. It was he who had organised the Punjab Fine Art Society at Kolkata and this society had held its first exhibition in 1926. As he stayed for a long time in Kolkata, the renowned Bengali Authors like Ravinder Nath Tagore and Abinder Nath Tagore were among his appreciators. When he moved back to Amritsar in 1931, he founded Thakur Singh School of Art. Later on this school of art became an academy, presently known as the Indian Academy of Fine Arts. This Academy was Registered as Society under Societies Act vide Registration No. 26, 1961. It is affiliated to Lalit Kala Academy (Govt. of India New Delhi). This academy is playing a vital role in promoting Punjabi Artists in General, Sikhs in particular. It has organized many exhibitions and competitions of state and national level. Summer camps are also organized for training in photography, painting, sculpture etc. It also organises cultural functions for encouraging artists and celebrating occasion like Vaisakhi to highlight the Punjabi Culture. The organization plans to celebrate its centenary in 2028 (in 1928, the academy was established). It’s present president and Gen. Secretary are S. Shiv Dev Singh and Dr. Arvinder Singh Chamak. The contact details of the academy are, address: Madan Mohan Malviya Road, Amritsar-143001, E-Mail: iafa_asr@yahoo.com, website: www.indianacademyoffinearts.com, Phone: 0183-2563557, Mobile: 9653850828.

Sikh Heritage Foundation Hyderabad

This organization, situated at 4-9-54/Z, Mukh Mahal, HUDA Colony Hyderabad is aimed at promoting Sikh Heritage by organising exhibitions on Sikhism, Sikh Artefacts and Manuscripts. It is this organization which rebuilt the oldest Gurdwara at Kishan Bagh, which was constructed 185 years ago by a group of soldiers sent by Maharaja Ranjeet Singh for helping the Nawab of Hyderabad. Around 90% of deccani Sikhs are descendants of that army. The Sikh Chawni of that time has been renamed now as Maharaja Ranjeet Singh Nagar. The oldest Gurdwara known as Gurdwara Sahib Barambala has not only been made quite big, but also one of the most attended and well managed Gurdwaras in India. S. Harbans Singh is the Chairman and S. Sukhdev Singh & S. Ranbir Singh are the President & Secretary of this Gurdwara. One of the main persons who had played an important role in the activities of this organization is S. Sajjan Singh, an Engineer by profession, who has been chasing the stories of Deccani Sikhs right from the time of their coming to Hyderabad as a part of Sikh Army. On Barambala, also stands a school run by the Sikh Education Society. The main objects of the organization include conservation of heritage, organizing seminars, workshops, competitions and heritage walks. A rare lithographic Guru Granth Sahib, the holy book of the Sikhs, of Lahore lineage is kept here. Sajjan Singh’s interest in his own history, he says, began with this book as he

helped in its binding and learnt to conserve it with the advice of Salarjung Museum experts. Sajjan Singh takes the help of this museum organising various heritage programme. For example, when 300 Martyrdom Day of Baba Banda Singh Bahadar was celebrated, a special One Day Symposium and Exhibition of Sikh Relics on 29th June, 2016 at Salar Jung Museum Hyderabad was organized by Sikh Heritage Foundation Hyderabad Deccan. The following relics were exhibited – 1. Teer of Sri Guru Hargobind Sahib ji 2. Sfaganj (battle axe) of Sri Guru Har Rai Sahib ji 3. Kada of Sri Guru Tegh Bahadar Sahib ji 4. Hukumnama of Sri Guru Gobind Singh ji 5. Hukumnama of Mata Sunder Kaur ji and 6. Hukumnama of Baba Banda Singh Bahadar. The Symposium was held under the Chairman Ship of S Harpreet Singh IAS Principal Secretary to Governor of Telangana and Andhra Pradesh. The other Scholars were S. Pritam Singh Retd. SP, Dr. Th. Hanuman Chaudhary Director Tata Consultancy Services, Mrs. P. Anuradha Reddy INTACH Convener, Dr Raminder Kaur Medical Superintendent SCR and Mr. Ahmed Ali Curator Manuscript Salar Jung Museum.
The Program concluded with display of Martial Arts (GATKA) by Dashmesh Kalgidhar Jatha. The Deccani Sikhs have their own problems. The persons like Sajjan Singh and others Act as their representatives in putting up their demands before the Sikh authorities as well as the Government authorities. Certain problems have arisen because of the split of the state of Andhra Pradesh in two states. Their status and position are not being recognized and appreciated in the right context which keeps them deprived of certain benefits from the Government.
What Deccani Sikhs now face is a peculiar situation. They are sandwiched between two identities: a) their Deccani culture with historical links to the house of the Nizam, not a popular figure with India’s political elite due to his pro-Pakistan stand at the time of independence and hence under no obligation to honour his last orders; b) and the pressure of being Sikhs outside Punjab. Being a minority among minorities, they are also on no party’s agenda. Muslims constitute 18% of the minority population of Hyderabad, Christians are 7-9% while the Sikhs are just 1%. The dominant Muslim minority gets the cream of reservations. On the other hand, the propagation of the Sikhs’ social culture, leave alone religious culture, find, if at all, intermittent political support.
In 2010, the Sikligar Sikh community (the ironsmiths) was included in the Backward Class (A) category;  285 houses were built for them, but they got no government job or financial assistance. The encroachment by the Wakf Board of the 200-acre Barambala land (gifted by the Nizam, now a busy Hyderabad suburb) has meant the control of the community has dwindled to a mere 65 acres. They further allege that no government has tried reclaiming it on their behalf. Sardar Ravinder Singh, the Karimnagar mayor, a Telangana Rashtra Samithi (TRS) man, is their sole ‘political force’. It’s a political appointment, they wish him well, but Deccani Sikhs expect nothing out of it.
The language and the dress of Deccani Sikhs, being different from main stream Sikhs in Punjab, they also have some grievances against SGPC. It has been their complaint that despite a huge budget, SGPC had not been allocating any funds for their education and raising their social status. They celebrates all Sikh festivals as well as local festivals to have best of the relations with the people living there. For example, There is a tradition in Hyderabad that Sikhs take out a procession on Dassehra day every year. Last year this procession (Nagar Kirtan) started at Central Gurdwara Sahib. Gowliguda and Gurudwara Sahib, Petla Burj simultaneously. They met at Puranapul Darwaza along with Nishans (flags). “The Sikhs worship arms hence they display arms along mock war,” said Sajjan Singh, convener, Sikh Heritage Foundation, Hyderabad. There was display of mock war with Shastr (arms) along with recital of Kirtan. The procession proceeded towards Kishan Bagh. The devout from the three Gurudwaras of Sikh Chawni with Nishan sahib joined the procession. Then they proceeded to Gurudwara Sahib Baram Bala, Sikh Chawni which is the oldest Gurdwara in Deccan region established in 1832. Later, the Nagar Kirtan returns back to their respective Gurdwaras. A langar was organised for the devotees. The president of this organization is S. Harpreet Singh IAS and Secretary are S. Sajjan Singh and S. Surinder Singh architect. Its contact details are email is sikhheritagefoundation@yahoo.co.in and contact number is 9849416143.


S. Sobha Singh’s Gallery

As the Sikh art has a rich historical and heritage value, we have a large number of artists right from the olden times to the present time. The art of Fresco Paintings as reflected on the walls of the Golden Temple is mainly the work of famous Fresco Painter Bhai Gian Singh. Regarding G.S. Sohan Singh, the position has been discussed above. Another famous artist was S. Sobha Singh who made the paintings of Sikh Gurus particularly that of Guru Nanak made on the occasion of the 500th Birth Anniversary of the 1st Guru (1969) and that of Guru Gobind Singh made on the occasion of the 300th Birth Anniversary of the Master (1967). He also made certain portraits of contemporaries. Some of his murals can be seen in the gallery of the Parliament House in New Delhi. S. Sobha Singh was also a prominent sculptor and the busts made by him included that of some eminent Punjabis like M.S. Randhawa and Pritviraj Kapoor. The originals of his work are displayed in his personal art gallery at Andretta (Himachal Pradesh).

Satinder Kaur Kapany Gallery of Sikh Art

Many other artists have their own picture galleries which are a part of our artistic heritage. Whereas we have a gallery of Phoola Rani at Amritsar, we have Arpana Kaur, the Singh twin sisters (Amrit and Ravindra Singh) of U.K., Kulwant Singh of Toronto and Jarnail Singh of Vancouver, who are well known in their field. There are Sikh artists of other kinds also who have perfected in their respective sphere. For example, Gurpreet Singh of Amritsar is a paper artist and Taran Singh from U.K. is a 3D designer and visualizer. S. Vishawjeet Singh of USA is expert in cartooning and S. Harjeet Singh Sandhu living in United States is one of the rare mosaic artists. A unique art gallery has been setup by the Sikh Foundation International (for details of this foundation, refer to Chapter 8). This art gallery is known as Satinder Kaur Kapany Gallery of Sikh Art. In 1999, Dr. Narinder Singh Kapany, Chairman of the Sikh Foundation, made a gift of $500,000 along with 100 Sikh Art objects to the Asian Art Museum in San Francisco. With this generous gift, the Satinder Kaur Kapany Gallery of Sikh Art – named in honour of Dr. Kapany’s wife – was established. This gallery is the first permanent gallery of Sikh Art in North America. Many of the artworks date from the 18th and 19th centuries and are sensitive to light, because of which they can only be displayed for short periods of time. As a result, the content of the Sikh Gallery changes approximately every 6 months. More information about Sikh Art and artists can be obtained from Sanstha’s compilation regarding ‘500 Sikh Role Models’.

Sikh Memorials – Jang-E-Azadi Memorial

We have already mentioned at various places regarding Sikh Memorials erected to commemorate the Sikh historical events and the persons associated with them. When Akali Government was there in Punjab, they got constructed a number of Sikh Memorials to Enliven the Sikh heritage. These monuments include Virasat-e-Khalsa at Anandpur Sahib, Baba Banda Singh Bahadar Memorial at Chapparchiri, and Wadda and Chota Ghalughara Memorials. Another Memorial that came into being recently is the first memorial to commemorate the Sikh contribution for the independence of the country. This is known as Jang-e-Azadi Memorial. Built in Kartarpur town near the city of Jalandhar, it has been built over an area of 25 acres. It’s work started in 2015 under the supervision of a committee of historians, journalists and intellectuals constituted for finalizing the action plan and concept of the memorial. The project has been designed by architect Raj Rewal. This designs includes various galleries which project the different movements of freedom struggle, a tower known as Shaheed-e-Minar, an auditorium, movie hall, open air theatre, Amphitheatre, library and research and seminar halls. Some works are still remaining to be completed. S. Barjinder Singh Hamdard, the Chief Editor of Daily Ajit (a Punjabi newspaper) is the Chairman of the Supervising Committee. Prior to the erection of these Memorials, we had some other memorials also like Anglo-Sikh War Memorial in Gorahoor village near Aahliwal (Ludhiana District) and Firozepur Memorial in the memory of Bhagat Singh, Sukhdev and Rajguru.

Guru Tegh Bahadar Memorial, Delhi

Delhi Government also constructed a memorial named as Guru Tegh Bahadur Memorial at Singhu Border. This memorial has been setup as a tourist attraction with a unique concept and design. Sri Guru Tegh Bahadar Ji has been represented by the central pylon (fabricated in steel), while his three disciples have been represented by the three semi-arches. Also, 10 Sikh Gurus have been represented by the ten monoliths around this memorial. Inscribed with fundamental principles of Sikhism, these monoliths are visible even from a distance of 1-2 kms. Although, these memorials have been made to attract the tourists, the inflow of the tourists is not up to the mark. This memorial has good maintenance and sprawling lawns for organising picnic etc., but the main attraction of the light and sound show seems to have been withdrawn. Further, the symbolic pillars are not clear to many devotees who visit the memorial. If, a museum and a Gurdwara are added, than their will be more visitors. Some people will halt while going from and coming to Delhi for paying their obeisance at Gurdwara, others will like to visit the museum and a good number will come just to have a glimpse of symbolic memorial pillars or for picnics.
When we talk of Sikh Memorials in foreign countries, we have memorials in Holland, Belgium, UK, France and Italy. Most of these memorials are dedicated to the bravery of Sikh soldiers shown by them in various battles fought during the 1st and 2nd World Wars. S. Bhupinder Singh, presently living in Holland has played an important role in setting up various memorials including the famous Ypres Memorial. He had started research work in 1996, whereby he collected precious information and rare photographs of the martyr Sikh soldiers during the world wars. He has written two books, ‘How Europe is indebted to the Sikhs’, two volumes, and the two works on contribution of Sikhs in both world wars, namely ‘Sikhs in World War I’ and ‘Sikhs in World War II’. These two books are a sort of mini archive of the Sikhs. It is because of his efforts that annual celebrations in Holland and Belgium for remembering these brave soldiers are organized. In May 2018 a gathering at Dam Square in Amsterdam paid homage to the Sikh soldiers of the Second World War. This kind of celebration is being organized by the national committee every year since 1999. Again in Nov 2018, 100 years of the end of First World War was celebrated in Eiper Menon Gate (Belgium) where also the soldiers who gave their lives were remembered through a prade led by Five Pyaras followed by Miri Piri Gatka Party of France’s wonderful performance. S. Bhupinder Singh is also a great source of inspiration for the World Sikh Shaheed Military Yaadgari Committee, Italy to which the credit goes for creating maximum number of Sikh memorials.